wednesday reads
Mar. 18th, 2026 05:13 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
isisWhat I've recently finished reading:
Blood over Bright Haven by M. L. Wang. I'm a sucker for technology-infused magic, and I really liked the sort of computer-programming-magic here; in general the worldbuilding reminded me a bit of the TV show Arcane, which of course has its "magitech", but the main similarity is the elite vs the underclass (who they exploit), and the dark truths behind the marvels of the city. However, the characters are one-dimensional, with stereotypical views that either clearly cast them as the villains or that make it obvious the narrative will be about their realizations that change their views. I will say, though, that I was (pleasantly) surprised by the ending, as I applaud the writer for choosing the more realistic and interesting path over what you might expect from YA.
Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad Vibes by Leah Litman, who is a law professor and co-host of the podcast Strict Scrutiny, which I've never listened to, but I have heard her on NPR and other people's podcasts. I agree with her main thesis, that the Court has gone off the rails by picking and choosing their "legal principles" by whether or not they agree (ideologically) with the outcome that will result, which frankly stinks. It's well-researched, with lots of cites and notes. However, each of the five chapters is presented using the conceit of a particular show or movie, and as I was only familiar with most of them through osmosis, this didn't really work for me and sometimes seemed overly pop-culture-cutesy. (Like, Barbie - the movie, not the toy - is used as the lens to examine overturning Roe vs. Wade; Game of Thrones tells us that Winter Is Coming For Voting Rights; Mean Girls don't want to sit with LGBTQ people.) For an old Gen-X-er like me it seems like unnecessary metaphor, but maybe it will land better with people who want more glitz and meme in their nonfiction...but in that case, maybe a relatively dense book about law is not what they will be reading? I also will gripe about the editing, which seems particularly poor in the last chapter where Litman misspelled Ronald Reagan's surname and gave the same Neil Gorsuch quote twice within a few paragraphs.
Blood over Bright Haven by M. L. Wang. I'm a sucker for technology-infused magic, and I really liked the sort of computer-programming-magic here; in general the worldbuilding reminded me a bit of the TV show Arcane, which of course has its "magitech", but the main similarity is the elite vs the underclass (who they exploit), and the dark truths behind the marvels of the city. However, the characters are one-dimensional, with stereotypical views that either clearly cast them as the villains or that make it obvious the narrative will be about their realizations that change their views. I will say, though, that I was (pleasantly) surprised by the ending, as I applaud the writer for choosing the more realistic and interesting path over what you might expect from YA.
Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad Vibes by Leah Litman, who is a law professor and co-host of the podcast Strict Scrutiny, which I've never listened to, but I have heard her on NPR and other people's podcasts. I agree with her main thesis, that the Court has gone off the rails by picking and choosing their "legal principles" by whether or not they agree (ideologically) with the outcome that will result, which frankly stinks. It's well-researched, with lots of cites and notes. However, each of the five chapters is presented using the conceit of a particular show or movie, and as I was only familiar with most of them through osmosis, this didn't really work for me and sometimes seemed overly pop-culture-cutesy. (Like, Barbie - the movie, not the toy - is used as the lens to examine overturning Roe vs. Wade; Game of Thrones tells us that Winter Is Coming For Voting Rights; Mean Girls don't want to sit with LGBTQ people.) For an old Gen-X-er like me it seems like unnecessary metaphor, but maybe it will land better with people who want more glitz and meme in their nonfiction...but in that case, maybe a relatively dense book about law is not what they will be reading? I also will gripe about the editing, which seems particularly poor in the last chapter where Litman misspelled Ronald Reagan's surname and gave the same Neil Gorsuch quote twice within a few paragraphs.
Fics complete!
Mar. 17th, 2026 12:02 amsoc_puppetThe good news: I finished both of my fics for ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
pokepodproject! I got the second one fully typed three minutes before midnight 😮
The bad news: While I managed to get my Unown K story posted to the Into the Unown collection on AO3, the connection is timing out and not letting me post my Unown A story 😢 Hopefully AO3 will be back up for me soon, so I don't miss the posting deadline! (Even more hopefully it's not just my computer being fussy...)
The other bad news: Tumblr is imploding again! We'll see if this is the thing that finally kills the site.
pokepodproject! I got the second one fully typed three minutes before midnight 😮The bad news: While I managed to get my Unown K story posted to the Into the Unown collection on AO3, the connection is timing out and not letting me post my Unown A story 😢 Hopefully AO3 will be back up for me soon, so I don't miss the posting deadline! (Even more hopefully it's not just my computer being fussy...)
The other bad news: Tumblr is imploding again! We'll see if this is the thing that finally kills the site.
Long-term psychological effects of physical isolation
Mar. 16th, 2026 04:12 amvoidbeetles posting in little_detailsHi!
I have a character in a sci-fi universe who ends up "shipwrecked" alone on a completely uninhabited planet for two years. The planet, and the specific environment he lands in, are perfectly habitable by humans (we are in soft scifi territory here, very Star Trek inspired) and he's able to survive with some effort. (The details of how are not really important to the story - I know at least that he's the kind of guy who'd be able to salvage some tech and emergency supplies from his wrecked ship, and I'm comfortable with brushing past the details of what exactly he brought with him - but if anyone's really interested in coming at it from that logistical angle, I won't stop you!)
What is more relevant to the story is how this experience would continue to affect him by the time he's back home safely. I think there are a bunch of possible avenues here and I'd love to see people's takes on how they would approach this or approach researching it. For example, here are some of my cursory thoughts:
I have a character in a sci-fi universe who ends up "shipwrecked" alone on a completely uninhabited planet for two years. The planet, and the specific environment he lands in, are perfectly habitable by humans (we are in soft scifi territory here, very Star Trek inspired) and he's able to survive with some effort. (The details of how are not really important to the story - I know at least that he's the kind of guy who'd be able to salvage some tech and emergency supplies from his wrecked ship, and I'm comfortable with brushing past the details of what exactly he brought with him - but if anyone's really interested in coming at it from that logistical angle, I won't stop you!)
What is more relevant to the story is how this experience would continue to affect him by the time he's back home safely. I think there are a bunch of possible avenues here and I'd love to see people's takes on how they would approach this or approach researching it. For example, here are some of my cursory thoughts:
- PTSD is certainly a likely long-term complication
- It's implied that his shipwrecking was not an accident/was engineered maliciously - I imagine this is something he has dwelt on heavily throughout the two years and will affect his ability to trust people (and to visit other uninhabited planets in the future!). Seems like it would be easy to get caught in delusional spirals in a situation like that.
- I know that prolonged isolation can cause hallucination/psychosis in some cases, especially in solitary confinement, sensory deprivation contexts, etc. Is that as much of a risk in this case? And if so, do you think he'd still be experiencing psychotic symptoms after the fact?
- One of his personality traits is that he's fairly attention-seeking - I think it's likely this incident will exacerbate that and make him more desperate for connection
- It'll probably alter how he approaches social situations in the future in general; that's something I'll definitely be thinking about
- Perhaps he got into the habit of talking to himself on the planet, and this never went away
Ballet Experience: Swan Lake
Mar. 15th, 2026 08:59 pmextrapenguinSwan Lake is, after the Nutcracker, perhaps the most basic ballet there is. It's considered the peak of classical ballet (note: in ballet, the romantic era comes before the classic, so that while Tchaikovsky is a romantic composer, he is a composer of classic ballets), but I think the part of the reason for its longevity is that it has multiple ending variants, broadly divided into "villain wins" and "lovers prevail".
Short synopsis:
[Prologue] Princess Odette gets kidnapped by an evil sorcerer, Rothbart, and cursed to become a swan who can only turn human by night. (He has a collection of women he's done this to.) Her mom turns up and cries so much her tears form the titular Swan Lake. Basically no-one performs this part anymore.
The Curse: a prince must publicly proclaim to love Odette and only Odette; if she is betrayed in love, she and all the other swan maidens are condemned to stay swans forever. Allegedly this will also happen if Rothbart dies before the curse is broken.
[Act 1 Scene 1] The production will probably start here, in a palace courtyard. Lots of partying and jolly dancing. Prince Siegfried gets gifted a crossbow. His mom tells him that tomorrow, at his 18th birthday party, he will have to pick a girl to marry.
[Act 1 Scene 2] Siegfried goes hunting! He sees a beautiful swan, who then turns into a beautiful woman. He is awed and they then fall in love. Corps de ballet is the other swan maidens, with divertissements of the four little swans and three large swans.
[Act 2 Scene 1] The birthday party. Lots of dancing in the form of divertissements. Siegfried turns down all the women his mother has thoughfully assembled, to everyone's shock. But then! The party is gatecrashed by a dude and his swan-y daughter, Odile – the black swan. The dude is none other than Rothbart, and Siegfried enspelled to see Odette when he looks at Odile. (In basically every production over, it's the same ballerina; all that changes is the color of the tutu.) Odette tries to fly in the window but is stopped. Siegfried proclaims his undying love to Odile, at which point Rothbart goes lol and draws back the curtains to reveal Odette behind the window, watching all this. Much drama ensues, Siegfried runs off, his mom faints, etc.
[Act 2 Scene 2] Back at the lake, Siegfried searches out Odette amidst the other swan maidens who have now all been condemned to an eternity as swans due to him. They meet and dance together. Then Rothbart shows up, and this is where things get interesting wrt potential ending variants. In a bunch of them, Rothbart takes Odette and she becomes a swan forever, and Siegfried tragically beseeches the audience etc (unless he's danced by Nureyev, in which case he drowns). In others, Rothbart gets defeated either by Siegfried killing him somehow, or simply by the True Love (TM) being so powerful it outpowers the curse; cue happy ending.
The Paris Ballet Theatre put on the happy ending which I believe is most popular in Russia: Siegfried steals one of Rothbart's wings (he is owl-coded), thus depriving him of his powers and defeating him. As usual, I bought the program, and this time they even had DVDs, so I bought one! Next up, buying an external DVD drive so I can rip it...
Dancing: Their principal danseur is very good at projecting this sort of naïve and innocent vibe, which fits Siegfried well. Their prima ballerina worked great as Odette, though Odile could've had a bit of extra spice. The costuming was amazing, with 109887 sequins on everyone, and I appreciated the slightly softer tutus (vs hardcore platter tutus) of the swans.
Also this is basically the Ballets Russes reborn. They dance Vaganova/Russian style, the dancers got their training in places like Armenia and the Komi Republic (in Russia), were soloists in places like the Bolshoi Theater and the Ural Opera (both in Russia), and the maîtrisse de ballet is Belarusian. Also the live music, The Orchestra of Budapest, is basically an international company formed out of almost exclusively Eastern European musicians, with a Belarusian conductor.
Note to self: rows G-P probably the best for seeing stuff, since it's far enough up that you can see the back of the stage/some of what the corps de ballet is doing formation-wise and aren't upskirting everyone nonstop, but close enough you can see expressions.
Short synopsis:
including the prologue!
[Prologue] Princess Odette gets kidnapped by an evil sorcerer, Rothbart, and cursed to become a swan who can only turn human by night. (He has a collection of women he's done this to.) Her mom turns up and cries so much her tears form the titular Swan Lake. Basically no-one performs this part anymore.
The Curse: a prince must publicly proclaim to love Odette and only Odette; if she is betrayed in love, she and all the other swan maidens are condemned to stay swans forever. Allegedly this will also happen if Rothbart dies before the curse is broken.
[Act 1 Scene 1] The production will probably start here, in a palace courtyard. Lots of partying and jolly dancing. Prince Siegfried gets gifted a crossbow. His mom tells him that tomorrow, at his 18th birthday party, he will have to pick a girl to marry.
[Act 1 Scene 2] Siegfried goes hunting! He sees a beautiful swan, who then turns into a beautiful woman. He is awed and they then fall in love. Corps de ballet is the other swan maidens, with divertissements of the four little swans and three large swans.
[Act 2 Scene 1] The birthday party. Lots of dancing in the form of divertissements. Siegfried turns down all the women his mother has thoughfully assembled, to everyone's shock. But then! The party is gatecrashed by a dude and his swan-y daughter, Odile – the black swan. The dude is none other than Rothbart, and Siegfried enspelled to see Odette when he looks at Odile. (In basically every production over, it's the same ballerina; all that changes is the color of the tutu.) Odette tries to fly in the window but is stopped. Siegfried proclaims his undying love to Odile, at which point Rothbart goes lol and draws back the curtains to reveal Odette behind the window, watching all this. Much drama ensues, Siegfried runs off, his mom faints, etc.
[Act 2 Scene 2] Back at the lake, Siegfried searches out Odette amidst the other swan maidens who have now all been condemned to an eternity as swans due to him. They meet and dance together. Then Rothbart shows up, and this is where things get interesting wrt potential ending variants. In a bunch of them, Rothbart takes Odette and she becomes a swan forever, and Siegfried tragically beseeches the audience etc (unless he's danced by Nureyev, in which case he drowns). In others, Rothbart gets defeated either by Siegfried killing him somehow, or simply by the True Love (TM) being so powerful it outpowers the curse; cue happy ending.
The Paris Ballet Theatre put on the happy ending which I believe is most popular in Russia: Siegfried steals one of Rothbart's wings (he is owl-coded), thus depriving him of his powers and defeating him. As usual, I bought the program, and this time they even had DVDs, so I bought one! Next up, buying an external DVD drive so I can rip it...
Dancing: Their principal danseur is very good at projecting this sort of naïve and innocent vibe, which fits Siegfried well. Their prima ballerina worked great as Odette, though Odile could've had a bit of extra spice. The costuming was amazing, with 109887 sequins on everyone, and I appreciated the slightly softer tutus (vs hardcore platter tutus) of the swans.
Also this is basically the Ballets Russes reborn. They dance Vaganova/Russian style, the dancers got their training in places like Armenia and the Komi Republic (in Russia), were soloists in places like the Bolshoi Theater and the Ural Opera (both in Russia), and the maîtrisse de ballet is Belarusian. Also the live music, The Orchestra of Budapest, is basically an international company formed out of almost exclusively Eastern European musicians, with a Belarusian conductor.
Note to self: rows G-P probably the best for seeing stuff, since it's far enough up that you can see the back of the stage/some of what the corps de ballet is doing formation-wise and aren't upskirting everyone nonstop, but close enough you can see expressions.
Performing some traffic maintenance today
Mar. 14th, 2026 01:04 pm![[staff profile]](https://www.dreamwidth.org/img/silk/identity/user_staff.png){kind=small}
mark posting in ![[site community profile]](https://www.dreamwidth.org/img/comm_staff.png){kind=small}
dw_maintenanceHappy Saturday!
I'm going to be doing a little maintenance today. It will likely cause a tiny interruption of service (specifically for www.dreamwidth.org) on the order of 2-3 minutes while some settings propagate. If you're on a journal page, that should still work throughout!
If it doesn't work, the rollback plan is pretty quick, I'm just toggling a setting on how traffic gets to the site. I'll update this post if something goes wrong, but don't anticipate any interruption to be longer than 10 minutes even in a rollback situation.
Paint manufacture, storage and transport in Napoleonic Europe
Mar. 13th, 2026 10:05 pmhyarrowen posting in little_detailsFor large-scale projects, specifically for ships. All my ship-related resources for the era are for the British Navy, and books on colour that I've read have been on artists' paints or dyes.
How would a French Imperial Navy vessel be painted, not at one of the big shipyards? Would it be mixed up on site from raw ingredients, or bought in? Would there be barrels, buckets with lids, cannisters, vats or what - and what would the paint be made of?
Searching online produces info on painting scale models, or contemporary pictures of ships. I found a chapter on ship decoration in Conway's History of the Ship: The Line of Battle but that doesn't have the early-in-the-process details I want. I found an article on the pre-Revolutionary Navy in the International Journal of Maritime History, by David Plouviez, that's too early and still doesn't cover paint.
Thank-you in advance.
How would a French Imperial Navy vessel be painted, not at one of the big shipyards? Would it be mixed up on site from raw ingredients, or bought in? Would there be barrels, buckets with lids, cannisters, vats or what - and what would the paint be made of?
Searching online produces info on painting scale models, or contemporary pictures of ships. I found a chapter on ship decoration in Conway's History of the Ship: The Line of Battle but that doesn't have the early-in-the-process details I want. I found an article on the pre-Revolutionary Navy in the International Journal of Maritime History, by David Plouviez, that's too early and still doesn't cover paint.
Thank-you in advance.